This will give you perfect outputs every time. There is absolutely zero difference file structure wise, the MP4/MOV is simply the wrapper for the H.264 codec. However, after you have rendered out your H.264 MP4 at the desired bitrate and resolution if you need the file to be QT compatible, or the client specifically wants an MOV file, simply change the extension from "FILE.mp4" to "FILE.mov". Again, H.264 and MOV simply are not friendly within the CS suite. AfterCodecs: After Effects, Premiere Pro, and Adobe Media Encoder native. NOTE: There is absolutely no need and I don't recommend using the QT in premiere either. AfterCodecs Native exporter for AE bringing you ProRes on Windows, h264 (x264. Use AME (Adobe Media Encoder, or import the file into Premiere Pro and Sequence the comp), and render out using export/AME and H.264 using the MP4 option. But the output will be perfect in terms of what you are seeing in AE. Now this will output your composition to a lossless QT Animation file, which yes, will be very large, especially if you include an alpha channel. AfterCodecs for After Effects is a reliable tool to close the codec gap between After Effects and Adobe Premiere Pro. Options: You can select your Channels as to include or not include Alpha along with RGB. The proven workflow / best practice in terms of output is:įormat Options Button -> Video Codec: Animation Unfortunately, regardless of the settings, you will get less than desirable results (typically terrible). I would not recommend trying to output your AE Comp using H.264.
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